The Sentimentalists (Play)

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This etext was produced by David Widger

[NOTE: There is a short list of bookmarks, or pointers, at the end of the
file for those who may wish to sample the author's ideas before making an
entire meal of them. D.W.]

THE SENTIMENTALISTS

An Unfinished Comedy

By George Meredith

DRAMATIS PERSONAE

HOMEWARE.

PROFESSOR SPIRAL.

ARDEN,............. In love with Astraea.

SWITHIN,........... Sympathetics.
OSIER,

DAME DRESDEN,...... Sister to Homeware.

ASTRAEA,........... Niece to Dame Dresden and Homeware.

LYRA,.............. A Wife.

LADY OLDLACE.

VIRGINIA.

WINIFRED.

THE SENTIMENTALISTS

AN UNFINISHED COMEDY

The scene is a Surrey garden in early summer. The paths are shaded by
tall box-wood hedges. The--time is some sixty years ago.

SCENE I

PROFESSOR SPIRAL, DAME DRESDEN, LADY OLDLACE,
VIRGINIA, WINIFRED, SWITHIN, and OSIER

(As they slowly promenade the garden, the professor is delivering one of
his exquisite orations on Woman.)

SPIRAL: One husband! The woman consenting to marriage takes but one.
For her there is no widowhood. That punctuation of the sentence called
death is not the end of the chapter for her. It is the brilliant proof
of her having a soul. So she exalts her sex. Above the wrangle and
clamour of the passions she is a fixed star. After once recording her
obedience to the laws of our common nature--that is to say, by descending
once to wedlock--she passes on in sovereign disengagement--a dedicated
widow.

(By this time they have disappeared from view. HOMEWARE appears;
he craftily avoids joining their party, like one who is unworthy of
such noble oratory. He desires privacy and a book, but is disturbed
by the arrival of ARDEN, who is painfully anxious to be polite to
'her uncle Homeware.')

SCENE II

HOMEWARE, ARDEN

ARDEN: A glorious morning, sir.

HOMEWARE: The sun is out, sir.

ARDEN: I am happy in meeting you, Mr. Homeware.

HOMEWARE: I can direct you to the ladies, Mr. Arden. You will find them
up yonder avenue.

ARDEN: They are listening, I believe, to an oration from the mouth of
Professor Spiral.

HOMEWARE: On an Alpine flower which has descended to flourish on English
soil. Professor Spiral calls it Nature's 'dedicated widow.'

ARDEN: 'Dedicated widow'?

HOMEWARE: The reference you will observe is to my niece Astraea.

ARDEN: She is dedicated to whom?

HOMEWARE: To her dead husband! You see the reverse of Astraea, says the
professor, in those world-infamous widows who marry again.

ARDEN: Bah!

HOMEWARE: Astraea, it is decided, must remain solitary, virgin cold,
like the little Alpine flower. Professor Spiral has his theme.

ARDEN: He will make much of it. May I venture to say that I prefer my
present company?

HOMEWARE: It is a singular choice. I can supply you with no weapons for
the sort of stride in which young men are usually engaged. You belong to
the camp you are avoiding.

ARDEN: Achilles was not the worse warrior, sir, for his probation in
petticoats.

HOMEWARE: His deeds proclaim it. But Alexander was the better chieftain
until he drank with Lais.

ARDEN: No, I do not plead guilty to Bacchus.

HOMEWARE: You are confessing to the madder form of drunkenness.

ARDEN: How, sir, I beg?

HOMEWARE: How, when a young man sees the index to himself in everything
spoken!

ARDEN: That might have the look. I did rightly in coming to you, sir.

HOMEWARE: 'Her uncle Homeware'?

ARDEN: You read through us all, sir.

HOMEWARE: It may interest you to learn that you are the third of the
gentlemen commissioned to consult the lady's uncle Homeware.

ARDEN: The third.

HOMEWARE: Yes, she is pursued. It could hardly be otherwise. Her
attractions are acknowledged, and the house is not a convent. Yet, Mr.
Arden, I must remind you that all of you are upon an enterprise held to
be profane by the laws of this region. Can you again forget that Astraea
is a widow?

ARDEN: She was a wife two months; she has been a widow two years.

HOMEWARE: The widow of the great and venerable Professor Towers is not
to measure her widowhood by years. His, from the altar to the tomb. As
it might be read, a one day's walk!

ARDEN: Is she, in the pride of her youth, to be sacrificed to a
whimsical feminine delicacy?

HOMEWARE: You have argued it with her?

ARDEN: I have presumed.

HOMEWARE: And still she refused her hand!

ARDEN: She commended me to you, sir. She has a sound judgement of
persons.

HOMEWARE: I should put it that she passes the Commissioners of Lunacy,
on the ground of her being a humorous damsel. Your predecessors had also
argued it with her; and they, too, discovered their enemy in a whimsical
feminine delicacy. Where is the difference between you? Evidently she
cannot perceive it, and I have to seek: You will have had many
conversations with Astraea?

ARDEN: I can say, that I am thrice the man I was before I had them.

HOMEWARE: You have gained in manhood from conversations with a widow in
her twenty-second year; and you want more of her.

ARDEN: As much as I want more wisdom.

HOMEWARE: You would call her your Muse?

ARDEN: So prosaic a creature as I would not dare to call her that.

HOMEWARE: You have the timely mantle of modesty, Mr. Arden. She has
prepared you for some of the tests with her uncle Homeware.

ARDEN: She warned me to be myself, without a spice of affectation.

HOMEWARE: No harder task could be set a young man in modern days. Oh,
the humorous damsel. You sketch me the dimple at her mouth.

ARDEN: Frankly, sir, I wish you to know me better; and I think I can
bear inspection. Astraea sent me to hear the reasons why she refuses me
a hearing.

HOMEWARE: Her reason, I repeat, is this; to her idea, a second wedlock
is unholy. Further, it passes me to explain. The young lady lands us
where we were at the beginning; such must have been her humorous
intention.

ARDEN: What can I do?

HOMEWARE: Love and war have been compared. Both require strategy and
tactics, according to my recollection of the campaign.

ARDEN: I will take to heart what you say, sir.

HOMEWARE: Take it to head. There must be occasional descent of lovers'
heads from the clouds. And Professor Spiral,--But here we have a belated
breeze of skirts.

(The reference is to the arrival of LYRA, breathless.)

SCENE III

HOMEWARE, ARDEN, LYRA

LYRA: My own dear uncle Homeware!

HOMEWARE: But where is Pluriel?

LYRA: Where is a woman's husband when she is away from him?

HOMEWARE: In Purgatory, by the proper reckoning. But hurry up the
avenue, or you will be late for Professor Spiral's address.

LYRA: I know it all without hearing. Their Spiral! Ah, Mr. Arden! You
have not chosen badly. The greater my experience, the more do I value my
uncle Homeware's company.

(She is affectionate to excess but has a roguish eye withal, as of
one who knows that uncle Homeware suspects all young men and most
young women.)

HOMEWARE: Agree with the lady promptly, my friend.

ARDEN: I would gladly boast of so lengthened an experience, Lady
Pluriel.

LYRA: I must have a talk with Astraea, my dear uncle. Her letters breed
suspicions. She writes feverishly. The last one hints at service on the
West Coast of Africa.

HOMEWARE: For the draining of a pestiferous land, or an enlightenment of
the benighted black, we could not despatch a missionary more effective
than the handsomest widow in Great Britain.

LYRA: Have you not seen signs of disturbance?

HOMEWARE: A great oration may be a sedative.

LYRA: I have my suspicions.

HOMEWARE: Mr. Arden, I could counsel you to throw yourself at Lady
Pluriel's feet, and institute her as your confessional priest.

ARDEN: Madam, I am at your feet. I am devoted to the lady.

LYRA: Devoted. There cannot be an objection. It signifies that a man
asks for nothing in return!

HOMEWARE: Have a thought upon your words with this lady, Mr. Arden!

ARDEN: Devoted, I said. I am. I would give my life for her.

LYRA: Expecting it to be taken to-morrow or next day? Accept my
encomiums. A male devotee is within an inch of a miracle. Women had
been looking for this model for ages, uncle.

HOMEWARE: You are the model, Mr Arden!

LYRA: Can you have intended to say that it is in view of marriage you
are devoted to the widow of Professor Towers?

ARDEN: My one view.

LYRA: It is a star you are beseeching to descend.

ARDEN: It is.

LYRA: You disappoint me hugely. You are of the ordinary tribe after
all; and your devotion craves an enormous exchange, infinitely surpassing
the amount you bestow.

ARDEN: It does. She is rich in gifts; I am poor. But I give all I
have.

LYRA: These lovers, uncle Homeware!

HOMEWARE: A honey-bag is hung up and we have them about us. They would
persuade us that the chief business of the world is a march to the altar.

ARDEN: With the right partner, if the business of the world is to be
better done.

LYRA: Which right partner has been chosen on her part, by a veiled
woman, who marches back from the altar to discover that she has chained
herself to the skeleton of an idea, or is in charge of that devouring
tyrant, an uxorious husband. Is Mr. Arden in favour with the Dame,
uncle?

HOMEWARE: My sister is an unsuspicious potentate, as you know.
Pretenders to the hand of an inviolate widow bite like waves at a rock.

LYRA: Professor Spiral advances rapidly.

HOMEWARE: Not, it would appear, when he has his audience of ladies and
their satellites.

LYRA: I am sure I hear a spring-tide of enthusiasm coming.

ARDEN: I will see.

(He goes up the path.)

LYRA: Now! my own dear uncle, save me from Pluriel. I have given him
the slip in sheer desperation; but the man is at his shrewdest when he is
left to guess at my heels. Tell him I am anywhere but here. Tell him I
ran away to get a sense of freshness in seeing him again. Let me have
one day of liberty, or, upon my word, I shall do deeds; I shall console
young Arden: I shall fly to Paris and set my cap at presidents and
foreign princes. Anything rather than be eaten up every minute, as I am.
May no woman of my acquaintance marry a man of twenty years her senior!
She marries a gigantic limpet. At that period of his life a man becomes
too voraciously constant.

HOMEWARE: Cupid clipped of wing is a destructive parasite.

LYRA: I am in dead earnest, uncle, and I will have a respite, or else
let decorum beware!

(Arden returns.)

ARDEN: The ladies are on their way.

LYRA: I must get Astraea to myself.

HOMEWARE: My library is a virgin fortress, Mr. Arden. Its gates are
open to you on other topics than the coupling of inebriates.

(He enters the house--LYRA disappears in the garden--Spiral's
audience reappear without him.)

SCENE IV

DAME DRESDEN, LADY OLDLACE, VIRGINIA, WINIFRED,
ARDEN, SWITHIN, OSIER

LADY OLDLACE: Such perfect rhythm!

WINIFRED: Such oratory!

LADY OLDLACE: A master hand. I was in a trance from the first sentence
to the impressive close.

OSIER: Such oratory is a whole orchestral symphony.

VIRGINIA: Such command of intonation and subject!

SWITHIN: That resonant voice!

LADY OLDLACE: Swithin, his flow of eloquence! He launched forth!

SWITHIN: Like an eagle from a cliff.

OSIER: The measure of the words was like a beat of wings.

SWITHIN: He makes poets of us.

DAME DRESDEN: Spiral achieved his pinnacle to-day!

VIRGINIA: How treacherous is our memory when we have most the longing to
recall great sayings!

OSIER: True, I conceive that my notes will be precious.

WINIFRED: You could take notes!

LADY OLDLACE: It seems a device for missing the quintessential.

SWITHIN: Scraps of the body to the loss of the soul of it. We can allow
that our friend performed good menial service.

WINIFRED: I could not have done the thing.

SWITHIN: In truth; it does remind one of the mess of pottage.

LADY OLDLACE: One hardly felt one breathed.

VIRGINIA: I confess it moved me to tears.

SWITHIN: There is a pathos for us in the display of perfection. Such
subtle contrast with our individual poverty affects us.

WINIFRED: Surely there were passages of a distinct and most exquisite
pathos.

LADY OLDLACE: As in all great oratory! The key of it is the pathos.

VIRGINIA: In great oratory, great poetry, great fiction; you try it by
the pathos. All our critics agree in stipulating for the pathos. My
tears were no feminine weakness, I could not be a discordant instrument.

SWITHIN: I must make confession. He played on me too.

OSIER: We shall be sensible for long of that vibration from the touch of
a master hand.

ARDEN: An accomplished player can make a toy-shop fiddle sound you a
Stradivarius.

DAME DRESDEN: Have you a right to a remark, Mr. Arden? What could have
detained you?

ARDEN: Ah, Dame. It may have been a warning that I am a discordant
instrument. I do not readily vibrate.

DAME DRESDEN: A discordant instrument is out of place in any civil
society. You have lost what cannot be recovered.

ARDEN: There are the notes.

OSIER: Yes, the notes.

SWITHIN: You can be satisfied with the dog's feast at the table, Mr.
Arden!

OSIER: Ha!

VIRGINIA: Never have I seen Astraea look sublimer in her beauty than
with her eyes uplifted to the impassioned speaker, reflecting every
variation of his tones.

ARDEN: Astraea!

LADY OLDLACE: She was entranced when he spoke of woman descending from
her ideal to the gross reality of man.

OSIER: Yes, yes. I have the words [reads]: 'Woman is to the front of
man, holding the vestal flower of a purer civilization. I see,' he says.
'the little taper in her hands transparent round the light, against rough
winds.'

DAME DRESDEN: And of Astraea herself, what were the words? 'Nature's
dedicated widow.'

SWITHIN: Vestal widow, was it not?

VIRGINIA: Maiden widow, I think.

DAME DRESDEN: We decide for 'dedicated.'

WINIFRED: Spiral paid his most happy tribute to the memory of her late
husband, the renowned Professor Towers.

VIRGINIA: But his look was at dear Astraea.

ARDEN: At Astraea? Why?

VIRGINIA: For her sanction doubtless.

ARDEN: Ha!

WINIFRED: He said his pride would ever be in his being received as the
successor of Professor Towers.

ARDEN: Successor!

SWITHIN: Guardian was it not?

OSIER: Tutor. I think he said.

(The three gentlemen consult Osier's notes uneasily.)

DAME DRESDEN: Our professor must by this time have received in full
Astraea's congratulations, and Lyra is hearing from her what it is to be
too late. You will join us at the luncheon table, if you do not feel
yourself a discordant instrument there, Mr. Arden?

ARDEN (going to her): The allusion to knife and fork tunes my strings
instantly, Dame.

DAME DRESDEN: You must help me to-day, for the professor will be tired,
though we dare not hint at it in his presence. No reference, ladies, to
the great speech we have been privileged to hear; we have expressed our
appreciation and he could hardly bear it.

ARDEN: Nothing is more distasteful to the orator!

VIRGINIA: As with every true genius, he is driven to feel humbly human
by the exultation of him.

SWITHIN: He breathes in a rarified air.

OSIER: I was thrilled, I caught at passing beauties. I see that here
and there I have jotted down incoherencies, lines have seduced me, so
that I missed the sequence--the precious part. Ladies, permit me to rank
him with Plato as to the equality of women and men.

WINIFRED: It is nobly said.

OSIER: And with the Stoics, in regard to celibacy.

(By this time all the ladies have gone into the house.)

ARDEN: Successor! Was the word successor?

(ARDEN, SWITHIN, and OSIER are excitedly searching the notes when
SPIRAL passes and strolls into the house. His air of self-
satisfaction increases their uneasiness they follow him. ASTRAEA
and LYRA come down the path.)

SCENE V

ASTRAEA, LYRA

LYRA: Oh! Pluriel, ask me of him! I wish I were less sure he would not
be at the next corner I turn.

ASTRAEA: You speak of your husband strangely, Lyra.

LYRA: My head is out of a sack. I managed my escape from him this
morning by renouncing bath and breakfast; and what a relief, to be in the
railway carriage alone! that is, when the engine snorted. And if I set
eyes on him within a week, he will hear some truths. His idea of
marriage is, the taking of the woman into custody. My hat is on, and on
goes Pluriel's. My foot on the stairs; I hear his boot behind me. In my
boudoir I am alone one minute, and then the door opens to the inevitable.
I pay a visit, he is passing the house as I leave it. He will not even
affect surprise. I belong to him, I am cat's mouse. And he will look
doating on me in public. And when I speak to anybody, he is that fearful
picture of all smirks. Fling off a kid glove after a round of calls;
feel your hand--there you have me now that I am out of him for my half a
day, if for as long.

ASTRAEA: This is one of the world's happy marriages!

LYRA: This is one of the world's choice dishes! And I have it planted
under my nostrils eternally. Spare me the mention of Pluriel until he
appears; that's too certain this very day. Oh! good husband! good kind
of man! whatever you please; only some peace, I do pray, for the husband-
haunted wife. I like him, I like him, of course, but I want to breathe.
Why, an English boy perpetually bowled by a Christmas pudding would come
to loathe the mess.

ASTRAEA: His is surely the excess of a merit.

LYRA: Excess is a poison. Excess of a merit is a capital offence in
morality. It disgusts, us with virtue. And you are the cunningest of
fencers, tongue, or foils. You lead me to talk of myself, and I hate the
subject. By the way, you have practised with Mr. Arden.

ASTRAEA: A tiresome instructor, who lets you pass his guard to
compliment you on a hit.

LYRA: He rather wins me.

ASTRAEA: He does at first.

LYRA: Begins Plurielizing, without the law to back him, does he?

ASTRAEA: The fencing lessons are at an end.

LYRA: The duetts with Mr. Swithin's violoncello continue?

ASTRAEA: He broke through the melody.

LYRA: There were readings in poetry with Mr. Osier, I recollect.

ASTRAEA: His own compositions became obtrusive.

LYRA: No fencing, no music, no poetry! no West Coast of Africa either,
I suppose.

ASTRAEA: Very well! I am on my defence. You at least shall not
misunderstand me, Lyra. One intense regret I have; that I did not live
in the time of the Amazons. They were free from this question of
marriage; this babble of love. Why am I so persecuted? He will not take
a refusal. There are sacred reasons. I am supported by every woman
having the sense of her dignity. I am perverted, burlesqued by the fury
of wrath I feel at their incessant pursuit. And I despise Mr. Osier and
Mr. Swithin because they have an air of pious agreement with the Dame,
and are conspirators behind their mask.

LYRA: False, false men!

ASTRAEA: They come to me. I am complimented on being the vulnerable
spot.

LYRA: The object desired is usually addressed by suitors, my poor
Astraea!

ASTRAEA: With the assumption, that as I am feminine I must necessarily
be in the folds of the horrible constrictor they call Love, and that I
leap to the thoughts of their debasing marriage.

LYRA: One of them goes to Mr. Homeware.

ASTRAEA: All are sent to him in turn. He can dispose of them.

LYRA: Now that is really masterly fun, my dear; most creditable to you!
Love, marriage, a troop of suitors, and uncle Homeware. No, it would not
have occurred to me, and--I am considered to have some humour. Of
course, he disposes of them. He seemed to have a fairly favourable
opinion of Mr. Arden.

ASTRAEA: I do not share it. He is the least respectful of the
sentiments entertained by me. Pray, spare me the mention of him, as you
say of your husband. He has that pitiful conceit in men, which sets them
thinking that a woman must needs be susceptible to the declaration of the
mere existence of their passion. He is past argument. Impossible for
him to conceive a woman's having a mind above the conditions of her sex.
A woman, according to him, can have no ideal of life, except as a ball to
toss in the air and catch in a cup. Put him aside. . . . We creatures
are doomed to marriage, and if we shun it, we are a kind of cripple.
He is grossly earthy in his view of us. We are unable to move a step
in thought or act unless we submit to have a husband. That is his
reasoning. Nature! Nature! I have to hear of Nature! We must be above
Nature, I tell him, or, we shall be very much below. He is ranked among
our clever young men; and he can be amusing. So far he passes muster;
and he has a pleasant voice. I dare say he is an uncle Homeware's good
sort of boy. Girls like him. Why does he not fix his attention upon one
of them; Why upon me? We waste our time in talking of him . . . .
The secret of it is, that he has no reverence. The marriage he vaunts is
a mere convenient arrangement for two to live together under command of
nature. Reverence for the state of marriage is unknown to him. How
explain my feeling? I am driven into silence. Cease to speak of him
. . . . He is the dupe of his eloquence--his passion, he calls it.
I have only to trust myself to him, and--I shall be one of the world's
married women! Words are useless. How am I to make him see that it is
I who respect the state of marriage by refusing; not he by perpetually
soliciting. Once married, married for ever. Widow is but a term. When
women hold their own against him, as I have done, they will be more
esteemed. I have resisted and conquered. I am sorry I do not share in
the opinion of your favourite.

LYRA: Mine?

ASTRAEA: You spoke warmly of him.

LYRA: Warmly, was it?

ASTRAEA: You are not blamed, my dear: he has a winning manner.

LYRA: I take him to be a manly young fellow, smart enough; handsome too.

ASTRAEA: Oh, he has good looks.

LYRA: And a head, by repute.

ASTRAEA: For the world's work, yes.

LYRA: Not romantic.

ASTRAEA: Romantic ideas are for dreamy simperers.

LYRA: Amazons repudiate them.

ASTRAEA: Laugh at me. Half my time I am laughing at myself. I should
regain my pride if I could be resolved on a step. I am strong to resist;
I have not strength to move.

LYRA: I see the sphinx of Egypt!

ASTRAEA: And all the while I am a manufactory of gunpowder in this quiet
old-world Sabbath circle of dear good souls, with their stereotyped
interjections, and orchestra of enthusiasms; their tapering delicacies:
the rejoicing they have in their common agreement on all created things.
To them it is restful. It spurs me to fly from rooms and chairs and beds
and houses. I sleep hardly a couple of hours. Then into the early
morning air, out with the birds; I know no other pleasure.

LYRA: Hospital work for a variation: civil or military. The former
involves the house-surgeon: the latter the grateful lieutenant.

ASTRAEA: Not if a woman can resist . . . I go to it proof-armoured.

LYRA: What does the Dame say?

ASTRAEA: Sighs over me! Just a little maddening to hear.

LYRA: When we feel we have the strength of giants, and are bidden to sit
and smile! You should rap out some of our old sweet-innocent garden
oaths with her--'Carnation! Dame!' That used to make her dance on her
seat.--'But, dearest Dame, it is as natural an impulse for women to have
that relief as for men; and natural will out, begonia! it will!' We ran
through the book of Botany for devilish objurgations. I do believe our
misconduct caused us to be handed to the good man at the altar as the
right corrective. And you were the worst offender.

ASTRAEA: Was I? I could be now, though I am so changed a creature.

LYRA: You enjoy the studies with your Spiral, come!

ASTRAEA: Professor Spiral is the one honest gentleman here. He does
homage to my principles. I have never been troubled by him: no silly
hints or side-looks--you know, the dog at the forbidden bone.

LYRA: A grand orator.

ASTRAEA: He is. You fix on the smallest of his gifts. He is
intellectually and morally superior.

LYRA: Praise of that kind makes me rather incline to prefer his
inferiors. He fed gobble-gobble on your puffs of incense. I coughed
and scraped the gravel; quite in vain; he tapped for more and more.

ASTRAEA: Professor Spiral is a thinker; he is a sage. He gives women
their due.

LYRA: And he is a bachelor too--or consequently.

ASTRAEA: If you like you may be as playful with me as the Lyra of our
maiden days used to be. My dear, my dear, how glad I am to have you
here! You remind me that I once had a heart. It will beat again with
you beside me, and I shall look to you for protection. A novel request
from me. From annoyance, I mean. It has entirely altered my character.
Sometimes I am afraid to think of what I was, lest I should suddenly
romp, and perform pirouettes and cry 'Carnation!' There is the bell.
We must not be late when the professor condescends to sit for meals.

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