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Charles Reade - "Christie Johnstone"

Alexander Maclaren - "Expositions of Holy Scripture: St. John Chaps. XV to XXI"

John St. Loe Strachey - "The Adventure of Living"

Sir Walter Scott - "Guy Mannering"

The Amazing Marriage, Complete

G >> George Meredith >> The Amazing Marriage, Complete




That which London believed, or affected to believe about it, would fill
chapters. There was during many months an impression of Lord Fleetwood's
countess as of a tenacious, dread, prevailing young woman, both intrepid
and astute, who had, by an exercise of various arts, legitimate in open
war of husband and wife, gathered the pick of the Principality to storm
and carry another of her husband's houses. The certification that her
cavaliers were Welsh gentlemen of wealth and position required a broader
sneer at the Welsh than was warranted by later and more intimate
acquaintance, if it could be made to redound to her discredit. So,
therefore, added to the national liking for a plucky woman, she gained
the respect for power. Whitechapel was round her like London's one
street's length extension of smoky haze, reminder of the morning's fog
under novel sunbeams.

Simultaneously, strange to say, her connubial antagonist, far from being
overshadowed, grew to be proportionately respected, and on the strength
of his deserts, apart from his title and his wealth. He defended himself,
as he was bound to do, by welcoming the picked Welsh squires with
hospitable embrace, providing ceremonies, receptions, and most
comfortable arrangements for them, along the route. But in thus gravely
entering into the knightly burlesque of the procession, and assisting to
swell the same, he not only drew the venom from it, he stood forth as
England's deputed representative, equal to her invasive challengeing
guests at all points, comic, tragic, or cordial. He saw that it had to be
treated as a national affair; and he parried the imputation which would
have injured his country's name for courtly breeding, had they been
ill-received, while he rescued his own good name from derision by joining
the extravagance.

He was well inspired. It was popularly felt to be the supreme of
clever-nay, noble-fencing. Really noble, though the cleverness was
conspicuous. A defensive stroke, protecting him against his fair one's
violent charge of horse, warded off an implied attack upon Old England,
in Old England's best-humoured easy manner.

Supposing the earl to have acted otherwise, his countess would virtually
have ridden over him, and wild Wales have cast a shadow on the chivalry
of magisterial England. He and his country stood to meet the issue
together the moment the Countess of Fleetwood and her escort crossed the
Welsh border; when it became a question between the hot-hearted, at their
impetuous gallop, and the sedatively minded, in an unfortified camp of
arm-chairs. The earl's adroitness, averting a collision fatal or
discomforting to both, disengaged him from an incumbent odium, of which,
it need hardly be stated, neither the lady nor her attendant cavaliers
had any notion at the hour of the assembly for the start for England on
the bridge of Pont-y-pridd. The hungry mother had the safety of her babe
in thought. The hotheaded Welshmen were sworn to guard their heroine.

That is the case presented by the Dame's papers, when the incredible is
excised. She claims the being a good friend to fiction in feeding popular
voracity with all her stores. But the Old Buccaneer, no professed friend
to it, is a sounder guide in the maxim, where he says: Deliver yourself
by permit of your cheque on the 'Bank of Reason, and your account is
increased instead of lessened.

Our account with credulity, he would signify.

The Dame does not like the shaking for a sifting. Romance, however, is
not a mountain made of gold, but a vein running some way through; and it
must be engineered, else either we are filled with wind from swallowing
indigestible substance, or we consent to a debasing of the currency,
which means her to-morrow's bankruptcy; and the spectacle of Romance in
the bankruptcy court degrades us (who believe we are allied to her) as
cruelly as it appals. It gives the cynic licence to bark day and night
for an entire generation.

Surely the Countess of Fleetwood's drive from the Welsh borders to
Esslemont, accompanied by the chosen of the land, followed by the vivats
of the whole Principality, and England gaping to hear the stages of her
progress, may be held sufficiently romantic without stuffing of surprises
and conflicts, adventures at inns, alarms at midnight, windings of a horn
over hilly verges of black heaths, and the rape of the child, the
pursuit, the recovery of the child, after a new set of heroine
performances on the part of a strung-wire mother, whose outcry in a waste
country district, as she clasps her boy to her bosom again: 'There's a
farm I see for milk for him!' the Dame repeats, having begun with an
admission that the tale has been contradicted, and is not produced on
authority. The end in design is to win the ear by making a fuss, and roll
event upon event for the braining of common intelligence, until her
narrative resembles dusty troopings along a road to the races.

Carinthia and her babe reached Esslemont, no matter what impediments.
There, like a stopped runner whose pantings lengthen to the longer
breath, her alarms over the infant subsided, ceasing for as long as she
clasped it or was in the room with it. Walking behind the precious
donkey-basket round the park, she went armed, and she soon won a fearful
name at Kentish cottage-hearths, though she 'was not black to see, nor
old. No, she was very young. But she did all the things that soldiers
do,--was a bit of a foreigner;--she brought a reputation up from the
Welsh land, and it had a raven's croak and a glow-worm's drapery and a
goblin's origin.

Something was hinted of her having agitated London once. Somebody dropped
word of her and that old Lord Levellier up at Croridge. She stalked park
and country at night. Stories, one or two near the truth, were told of a
restless and a very decided lady down these parts as well; and the earl
her husband daren't come nigh in his dread of her, so that he runs as if
to save his life out of every place she enters. And he's not one to run
for a trifle. His pride is pretty well a match for princes and
princesses.

All the same, he shakes in his shoes before her, durst hardly spy at
Esslemont again while she's in occupation. His managing gentleman comes
down from him, and goes up from her; that's how they communicate. One
week she's quite solitary; another week the house is brimful as can be.
She 's the great lady entertaining then. Yet they say it 's a fact, she
has not a shilling of her own to fling at a beggar. She 'll stock a
cottage wanting it with provision for a fortnight or more, and she'll
order the doctor in, and she'll call and see the right things done for
illness. 'But no money; no one's to expect money of her. The shots you
hear in Esslemont grounds out of season are she and her maid, always
alongside her, at it before a target on a bank, trying that old Lord
Levellier's gunpowder out of his mill; and he's got no money either; not
for his workmen, they say, until they congregate, and a threatening to
blow him up brings forth half their pay, on account. But he 's a known
miser. She's not that. She's a pleasant-faced lady for the poor. She has
the voice poor people like. It's only her enemy, maybe her husband, she
can be terrible to. She'd drive a hole through a robber stopping her on
the road, as soon as look at him.

This was Esslemont's atmosphere working its way to the earl, not so very
long after the establishment of his countess there. She could lay hold of
the English, too, it seemed. Did she call any gentleman of the district
by his Christian name? Lord Simon Pitscrew reported her doing so in the
case of one of the Welshmen. Those Welshmen! Apparently they are making a
push for importance in the kingdom!




CHAPTER XXXV

IN WHICH CERTAIN CHANGES MAY BE DISCERNED

Behind his white plaster of composure, Lord Fleetwood had alternately
raged and wondered during the passage of the Welsh cavalcade up Eastward:
a gigantic burlesque, that would have swept any husband of their heroine
off the scene had he failed to encounter it deferentially, preserving his
countenance and ostensibly his temper. An idiot of a woman, incurable in
her lunacy, suspects the father of the infant as guilty of designs done
to death in romances; and so she manages to set going solemnly a bigger
blazing Tom Fool's show than any known or written romance gives word of!
And that fellow, Gower Woodseer, pleads, in apology, for her husband's
confusion, physiologically, that it comes of her having been carried off
and kept a prisoner when she was bearing the child and knitting her whole
mind to ensure the child. But what sheer animals these women are, if they
take impressions in such a manner! And Mr. Philosopher argues that the
abusing of women proves the hating of Nature; names it 'the commonest
insanity, and the deadliest,' and men are 'planted in the bog of their
unclean animal condition until they do proper homage to the animal Nature
makes the woman be.' Oh, pish, sir!--as Meeson Corby had the habit of
exclaiming when Abrane's 'fiddler' argues him into a corner. The fellow
can fiddle fine things and occasionally clear sense:--'Men hating Nature
are insane. Women and Nature are close. If it is rather general to hate
Nature and maltreat women, we begin to see why the world is a mad world.'
That is the tune of the fiddler's fiddling. As for him, something
protects him. He was the slave of Countess Livia; like Abrane, Mallard,
Corby, St. Ombre, young Cressett, and the dozens. He is now her master.
Can a man like that be foolish, in saying of the Countess Carinthia, she
is 'not only quick to understand, she is in the quick of understanding'?
Gower Woodseer said it of her in Wales, and again on the day of his walk
up to London from Esslemont, after pedestrian exercise, which may heat
the frame, but cools the mind. She stamped that idea on a thoughtful
fellow.

He's a Welshman. They are all excitable,--have heads on hound's legs for
a flying figure in front. Still, they must have an object, definitely
seen by them--definite to them if dim to their neighbours; and it will
run in the poetic direction: and the woman to win them, win all classes
of them, within so short a term, is a toss above extraordinary. She is
named Carinthia--suitable name for the Welsh pantomimic procession. Or
cry out the word in an amphitheatre of Alpine crags,--it sounds at home.

She is a daughter of the mountains,--should never have left them. She is
also a daughter of the Old Buccaneer--no poor specimen of the fighting
Englishman of his day. According to Rose Mackrell, he, this Old
Buccaneer, it was, who, by strange adventures, brought the great Welsh
mines into the family! He would not be ashamed in spying through his
nautical glass, up or down, at his daughter's doings. She has not yet
developed a taste for the mother's tricks:--the mother, said to have been
a kindler. That Countess of Cressett was a romantic little fly-away bird.
Both parents were brave: the daughter would inherit gallantry. She
inherits a kind of thwarted beauty. Or it needs the situation seen in
Wales: her arms up and her unaffrighted eyes over the unappeasable growl.
She had then the beauty coming from the fathom depths, with the torch of
Life in the jaws of Death to light her: beauty of the nether kingdom
mounting to an upper place in the higher. Her beauty recognized, the name
of the man who married her is not Longears--not to himself, is the main
point; nor will it be to the world when he shows that it is not so to
himself.

Suppose he went to her, would she be trying at domination? The woman's
pitch above woman's beauty was perceived to be no intermittent beam, but
so living as to take the stamp of permanence. More than to say it was
hers, it was she. What a deadly peril brought into view was her
character-soul, some call it: generally a thing rather distasteful in
women, or chilling to the masculine temperament. Here it attracts. Here,
strange to say, it is the decided attraction, in a woman of a splendid
figure and a known softness. By rights, she should have more
understanding than to suspect the husband as guilty of designs done to
death in romances. However, she is not a craven who compliments him by
rearing him, and he might prove that there is no need for fear. But she
would be expecting explanations before the reconcilement. The bosom of
these women will keep on at its quick heaving until they have heard
certain formal words, oaths to boot. How speak them?

His old road of the ladder appeared to Fleetwood an excellent one for
obviating explanations and effecting the reconcilement without any
temporary seeming forfeit of the native male superiority. For there she
is at Esslemont now; any night the window could be scaled. 'It is my
husband.' The soul was in her voice when she said it.

He remembered that it had not ennobled her to him then; had not endeared;
was taken for a foreign example of the childish artless, imperfectly
suited to our English clime.' The tone of adorable utterances, however
much desired, is never for repetition; nor is the cast of divine sweet
looks; nor are the particular deeds-once pardonable, fitly pleaded. A
second scaling of her window--no, night's black hills girdle the scene
with hoarse echoes; the moon rushes out of her clouds grimacing. Even
Fleetwood's devil, much addicted to cape and sword and ladder, the
vulpine and the gryphine, rejected it.

For she had, by singular transformation since, and in spite of a deluging
grotesque that was antecedently incredible, she had become a personage,
counting her adherents; she could put half the world in motion on her
side. Yell those Welshmen to scorn, they were on a plane finding native
ground with as large a body of these English. His baser mind bowed to the
fact. Her aspect was entirely different; her attitude toward him as well:
insomuch that he had to chain her to her original features by the
conjuring of recollected phrases memorable for the vivid portraiture of
her foregone simplicity and her devotion to 'my husband.'

Yes, there she was at Essleinont, securely there, near him, to be seen
any day; worth claiming, too; a combatant figure, provocative of the
fight and the capture rather than repellent. The respect enforced by her
attitude awakened in him his inherited keen old relish for our
intersexual strife and the indubitable victory of the stronger, with the
prospect of slavish charms, fawning submission, marrowy spoil. Or
perhaps, preferably, a sullen submission, reluctant charms; far more
marrowy. Or who can say?--the creature is a rocket of the shot into the
fiery garland of stars; she may personate any new marvel, be an
unimagined terror, an overwhelming bewitchment: for she carries the
unexpected in her bosom. And does it look like such indubitable victory,
when the man, the woman's husband, divided from her, toothsome to the
sex, acknowledges within himself and lets the world know his utter
dislike of other women's charms, to the degree that herbal anchorites
positively could not be colder, could not be chaster: and he no forest
bird, but having the garden of the variety of fairest flowers at nod and
blush about him! That was the truth. Even Henrietta's beauty had the
effect of a princess's birthday doll admired on show by a contemptuous
boy.

Wherefore, then, did the devil in him seek to pervert this loveliest of
young women and feed on her humiliation for one flashing minute? The
taste had gone, the desire of the vengeance was extinct, personal
gratification could not exist. He spied into himself, and set it down to
one among the many mysteries.

Men uninstructed in analysis of motives arrive at this dangerous
conclusion, which spares their pride and caresses their indolence, while
it flatters the sense of internal vastness, and invites to headlong
intoxication. It allows them to think they are of such a compound, and
must necessarily act in that manner. They are not taught at the schools
or by the books of the honoured places in the libraries, to examine and
see the simplicity of these mysteries, which it would be here and there a
saving grace for them to see; as the minstrel, dutifully inclining to the
prosy in their behalf and morality's, should exhibit; he should arrest
all the characters of his drama to spring it to vision and strike
perchance the chord primarily if not continually moving them, that
readers might learn the why and how of a germ of evil, its flourishing
under rebuke, the persistency of it after the fell creative energy has
expired and pleasure sunk to be a phlegmatic dislike, almost a loathing.

This would here be done, but for signs of a barometric dead fall in Dame
Gossip's chaps, already heavily pendent. She would be off with us on one
of her whirling cyclones or elemental mad waltzes, if a step were taken
to the lecturing-desk. We are so far in her hands that we have to keep
her quiet. She will not hear of the reasons and the change of reasons for
one thing and the other. Things were so: narrate them, and let readers do
their reflections for themselves, she says, denouncing our conscientious
method as the direct road downward to the dreadful modern appeal to the
senses and assault on them for testimony to the veracity of everything
described; to the extent that, at the mention of a vile smell, it shall
be blown into the reader's nostrils, and corking-pins attack the
comfortable seat of him simultaneously with a development of surprises.
'Thither your conscientiousness leads.'

It is not perfectly visible. And she would gain information of the
singular nature of the young of the male sex in listening to the wrangle
between Lord Fleetwood and Gower Woodseer on the subject of pocket-money
for the needs of the Countess Carinthia. For it was a long and an angry
one, and it brought out both of them, exposing, of course, the more
complex creature the most. They were near a rupture, so scathing was
Gower's tone of irate professor to shirky scholar--or it might be put,
German professor to English scuffleshoe.

She is for the scene of 'Chillon John's' attempt to restore the
respiration of his bank-book by wager; to wit, that he would walk a mile,
run a mile, ride a mile, and jump ten hurdles, then score five
rifle-shots at a three hundred yards' distant target within a count of
minutes; twenty-five, she says; and vows it to have been one of the most
exciting of scenes ever witnessed on green turf in the land of wagers;
and that he was accomplishing it quite certainly when, at the first of
the hurdles, a treacherous unfolding and waving of a white flag caused
his horse to swerve and the loss of one minute, seven and twenty seconds,
before he cleared the hurdles; after which, he had to fire his shots
hurriedly, and the last counted blank, for being outside the circle of
the stated time.

So he was beaten. But a terrific uproar over the field proclaimed the
popular dissatisfaction. Presently there was a cleavage of the mob, and
behold a chase at the heels of the fellow to rival the very captain
himself for fleetness. He escaped, leaving his pole with the sheet nailed
to it, by way of flag, in proof of foul play; or a proof, as the other
side declared, of an innocently premature signalizing of the captain's
victory.

However that might be, he ran. Seeing him spin his legs at a hound's
pace, half a mile away, four countrymen attempted to stop him. All four
were laid on their backs in turn with stupefying celerity; and on rising
to their feet, and for the remainder of their natural lives, they swore
that no man but a Champion could have floored them so. This again may
have been due to the sturdy island pride of four good men knocked over by
one. We are unable to decide. Wickedness there was, the Dame says; and
she counsels the world to 'put and put together,' for, at any rate, 'a
partial elucidation of a most mysterious incident.' As to the
wager-money, the umpires dissented; a famous quarrel, that does not
concern us here, sprang out of the dispute; which was eventually, after
great disturbance 'of the country, referred to three leading sportsmen in
the metropolitan sphere, who pronounced the wager 'off,' being two to
one. Hence arose the dissatisfied third party, and the letters of this
minority to the newspapers, exciting, if not actually dividing, all
England for several months.

Now the month of December was the month of the Dame's mysterious
incident. From the date of January, as Madge Winch knew, Christopher Ines
had ceased to be in the service of the Earl of Fleetwood. At Esslemont
Park gates, one winter afternoon of a North-east wind blowing 'rum-shrub
into men for a stand against rheumatics,' as he remarked, Ines met the
girl by appointment, and informing her that he had money, and that Lord
Fleetwood was 'a black nobleman,' he proposed immediate marriage. The
hymeneal invitation, wafted to her on the breath of rum-shrub, obtained
no response from Madge until she had received evasive answers as to why
the earl dismissed him, and whence the stock of money came.

Lord Fleetwood, he repeated, was a black nobleman. She brought him to say
of his knowledge, that Lord Fleetwood hated, and had reason to hate,
Captain Levellier. 'Shouldn't I hate the man took my sweetheart from me
and popped me into the noose with his sister instead?' Madge was now
advised to be overcome by the smell of rum-shrub:--a mere fancy drink
tossed off by heroes in their idle moments, before they settle down to
the serious business of real drinking, Kit protested. He simulated
envious admiration of known heroes, who meant business, and scorned any
of the weak stuff under brandy, and went at it till the bottles were the
first to give in. For why? They had to stomach an injury from the world
or their young woman, and half-way on they shoved that young person and
all enemies aside, trampled 'em. That was what Old O'Devy signified; and
many's the man driven to his consolation by a cat of a girl, who's like
the elements in their puffs and spits at a gallant ship, that rides the
tighter and the tighter for all they can do to capsize. 'Tighter than
ever I was tight I'll be to-night, if you can't behave.'

They fell upon the smack of words. Kit hitched and huffed away,
threatening bottles. Whatever he had done, it was to establish the
petticoated hornet in the dignity of matron of a champion light-weight's
wholesome retreat of a public-house. A spell of his larkish hilarity was
for the punishment of the girl devoted to his heroical performances, as
he still considered her to be, though women are notoriously volatile, and
her language was mounting a stage above the kitchen.

Madge had little sorrow for him. She was the girl of the fiery heart, not
the large heart; she could never be devoted to more than one at a time,
and her mistress had all her heart. In relation to Kit, the thought of
her having sacrificed her good name to him, flung her on her pride of
chastity, without the reckoning of it as a merit. It was the inward
assurance of her independence: the young spinster's planting of the
standard of her proud secret knowledge of what she is, let it be a thing
of worth or what you will, or the world think as it may. That was her
thought.

Her feeling, the much livelier animation, was bitter grief, because her
mistress, unlike herself, had been betrayed by her ignorance of the man
into calling him husband. Just some knowledge of the man! The warning to
the rescue might be there. For nothing did the dear lady weep except for
her brother's evil fortune. The day when she had intelligence from Mrs.
Levellier of her brother's defeat, she wept over the letter on her knees
long hours. 'Me, my child, my brother!' she cried more than once. She had
her suspicion of the earl then, and instantly, as her loving servant had.
The suspicion was now no dark light, but a clear day-beam to Madge. She
adopted Kit's word of Lord Fleetwood. 'A black nobleman he is! he is!'
Her mistress had written like a creature begging him for money. He did
not deign a reply. To her! When he had seen good proof she was the
bravest woman on earth; and she rushed at death to save a child, a common
child; as people say. And who knows but she saved that husband of hers,
too, from bites might have sent him out of the world barking, and all his
wealth not able to stop him!

They were in the month of March. Her dear mistress had been begging my
lord through Mr. Woodseer constantly of late for an allowance of money;
on her knees to him, as it seemed; and Mr. Woodseer was expected at
Esslemont. Her mistress was looking for him eagerly. Something her heart
was in depended on it, and only her brother could be the object, for now
she loved only him of these men; though a gentleman coming over from
Barlings pretty often would pour mines of money into her lap for half a
word.

Carinthia had walked up to Croridge in the morning to meet her brother at
Lekkatts. Madge was left guardian of the child. She liked a stroll any
day round Esslemont Park, where her mistress was beginning to strike
roots; as she soon did wherever she was planted, despite a tone of pity
for artificial waters and gardeners' arts. Madge respected them. She knew
nothing of the grandeur of wildness. Her native English veneration for
the smoothing hand of wealth led her to think Esslemont the home of all
homes for a lady with her husband beside her. And without him, too, if he
were wafted over seas and away: if there would but come a wind to do
that!