Rhoda Fleming, Complete

G >> George Meredith >> Rhoda Fleming, Complete

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Edward nodded. "The sentiment some women put into things is
inexplicable," he said. "Your sister and father will return home. They
will have formed their ideas. You know how unjust they will be. Since,
however, the taste is for being a victim--eh?"

London lodging-house rooms in Winter when the blinds are down, and a
cheerless fire is in the grate, or when blinds are up and street-lamps
salute the inhabitants with uncordial rays, are not entertaining places
of residence for restless spirits. Edward paced about the room. He lit a
cigar and puffed at it fretfully.

"Will you come and try one of the theatres for an hour?" he asked.

She rose submissively, afraid to say that she thought she should look ill
in the staring lights; but he, with great quickness of perception,
rendered her task easier by naming the dress she was to wear, the jewels,
and the colour of the opera cloak. Thus prompted, Dahlia went to her
chamber, and passively attired herself, thankful to have been spared the
pathetic troubles of a selection of garments from her wardrobe. When she
came forth, Edward thought her marvellously beautiful.

Pity that she had no strength of character whatever, nor any pointed
liveliness of mind to match and wrestle with his own, and cheer the
domestic hearth! But she was certainly beautiful. Edward kissed her hand
in commendation. Though it was practically annoying that she should be
sad, the hue and spirit of sadness came home to her aspect. Sorrow
visited her tenderly falling eyelids like a sister.

CHAPTER XII

Edward's engagement at his Club had been with his unfortunate cousin
Algernon; who not only wanted a dinner but 'five pounds or so' (the hazy
margin which may extend illimitably, or miserably contract, at the
lender's pleasure, and the necessity for which shows the borrower to be
dancing on Fortune's tight-rope above the old abyss).

"Over claret," was to have been the time for the asking; and Algernon
waited dinnerless until the healthy-going minutes distended and swelled
monstrous and horrible as viper-bitten bodies, and the venerable Signior,
Time, became of unhealthy hue. For this was the first dinner which,
during the whole course of the young man's career, had ever been failing
to him. Reflect upon the mournful gap! He could scarcely believe in his
ill-luck. He suggested it to himself with an inane grin, as one of the
far-away freaks of circumstances that had struck him--and was it not
comical?

He waited from the hour of six till the hour of seven. He compared clocks
in the hall and the room. He changed the posture of his legs fifty times.
For a while he wrestled right gallantly with the apparent menace of the
Fates that he was to get no dinner at all that day; it seemed incredibly
derisive, for, as I must repeat, it had never happened to him by any
accident before. "You are born--you dine." Such appeared to him to be the
positive regulation of affairs, and a most proper one,--of the matters of
course following the birth of a young being.

By what frightful mischance, then, does he miss his dinner? By placing
the smallest confidence in the gentlemanly feeling of another man!
Algernon deduced this reply accurately from his own experience, and
whether it can be said by other "undined" mortals, does not matter in the
least. But we have nothing to do with the constitutionally luckless: the
calamitous history of a simple empty stomach is enough. Here the tragedy
is palpable. Indeed, too sadly so, and I dare apply but a flash of the
microscope to the rageing dilemmas of this animalcule. Five and twenty
minutes had signalled their departure from the hour of seven, when
Algernon pronounced his final verdict upon Edward's conduct by leaving
the Club. He returned to it a quarter of an hour later, and lingered on
in desperate mood till eight.

He had neither watch in his pocket, nor ring on his finger, nor
disposable stud in his shirt. The sum of twenty-one pence was in his
possession, and, I ask you, as he asked himself, how is a gentleman to
dine upon that? He laughed at the notion. The irony of Providence sent
him by a cook's shop, where the mingled steam of meats and puddings
rushed out upon the wayfarer like ambushed bandits, and seized him and
dragged him in, or sent him qualmish and humbled on his way.

Two little boys had flattened their noses to the whiteness of winkles
against the jealously misty windows. Algernon knew himself to be
accounted a generous fellow, and remembering his reputation, he, as to
hint at what Fortune might do in his case, tossed some coppers to the
urchins, who ducked to the pavement and slid before the counter, in a
flash, with never a "thank ye" or the thought of it.

Algernon was incapable of appreciating this childish faith in the
beneficence of the unseen Powers who feed us, which, I must say for him,
he had shared in a very similar manner only two hours ago. He laughed
scornfully: "The little beggars!" considering in his soul that of such is
humanity composed: as many a dinnerless man has said before, and will
again, to point the speech of fools. He continued strolling on, comparing
the cramped misty London aspect of things with his visionary free dream
of the glorious prairies, where his other life was: the forests, the
mountains, the endless expanses; the horses, the flocks, the slipshod
ease of language and attire; and the grog-shops. Aha! There could be no
mistake about him as a gentleman and a scholar out there! Nor would
Nature shut up her pocket and demand innumerable things of him, as
civilization did. This he thought in the vengefulness of his outraged
mind.

Not only had Algernon never failed to dine every day of his life: he had
no recollection of having ever dined without drinking wine. His
conception did not embrace the idea of a dinner lacking wine. Possibly he
had some embodied understanding that wine did not fall to the lot of
every fellow upon earth: he had heard of gullets unrefreshed even by
beer: but at any rate he himself was accustomed to better things, and he
did not choose to excavate facts from the mass of his knowledge in order
to reconcile himself to the miserable chop he saw for his dinner in the
distance--a spot of meat in the arctic circle of a plate, not shone upon
by any rosy-warming sun of a decanter!

But metaphorical language, though nothing other will convey the extremity
of his misery, or the form of his thoughts, must be put aside.

"Egad, and every friend I have is out of town!" he exclaimed, quite
willing to think it part of the plot.

He stuck his hands in his pockets, and felt vagabond-like and reckless.
The streets were revelling in their winter muck. The carriages rolling by
insulted him with their display of wealth.

He had democratic sentiments regarding them. Oh for a horse upon the
boundless plains! he sighed to his heart. He remembered bitterly how he
had that day ridden his stool at the bank, dreaming of his wilds, where
bailiff never ran, nor duns obscured the firmament.

And then there were theatres here--huge extravagant places! Algernon went
over to an entrance of one, to amuse his mind, cynically criticizing the
bill. A play was going forward within, that enjoyed great popular esteem,
"The Holly Berries." Seeing that the pit was crammed, Algernon made
application to learn the state of the boxes, but hearing that one box was
empty, he lost his interest in the performance.

As he was strolling forth, his attention was taken by a noise at the
pit-doors, which swung open, and out tumbled a tough little old man with
a younger one grasping his coat-collar, who proclaimed that he would
sicken him of pushing past him at the end of every act.

"You're precious fond of plays," sneered the junior.

"I'm fond of everything I pay for, young fellow," replied the shaken
senior; "and that's a bit of enjoyment you've got to learn--ain't it?"

"Well, don't you knock by me again, that's all," cried the choleric
youth.

"You don't think I'm likely to stop in your company, do you?"

"Whose expense have you been drinking at?"

"My country's, young fellow; and mind you don't soon feed at the table.
Let me go."

Algernon's hunger was appeased by the prospect of some excitement, and
seeing a vicious shake administered to the old man by the young one, he
cried, "Hands off!" and undertook policeman's duty; but as he was not in
blue, his authoritative mandate obtained no respect until he had
interposed his fist.

When he had done so, he recognized the porter at Boyne's Bank, whose
enemy retired upon the threat that there should be no more pushing past
him to get back to seats for the next act.

"I paid," said Anthony; "and you're a ticketer, and you ticketers sha'
n't stop me. I'm worth a thousand of you. Holloa, sir," he cried to
Algernon; "I didn't know you. I'm much obliged. These chaps get tickets
given 'm, and grow as cocky in a theatre as men who pay. He never had
such wine in him as I've got. That I'd swear. Ha! ha! I come out for an
airing after every act, and there's a whole pitfall of ticketers yelling
and tearing, and I chaff my way through and back clean as a red-hot
poker."

Anthony laughed, and rolled somewhat as he laughed.

"Come along, sir, into the street," he said, boring on to the pavement.
"It's after office hours. And, ha! ha! what do you think? There's old
farmer in there, afraid to move off his seat, and the girl with him,
sticking to him tight, and a good girl too. She thinks we've had too
much. We been to the Docks, wine-tasting: Port--Sherry: Sherry--Port!
and, ha! ha! 'what a lot of wine!' says farmer, never thinking how much
he's taking on board. 'I guessed it was night,' says farmer, as we got
into the air, and to see him go on blinking, and stumbling, and saying to
me, 'You stand wine, brother Tony!' I'm blest if I ain't bottled
laughter. So, says I, 'come and see "The Holly Berries," brother William
John; it's the best play in London, and a suitable winter piece.' 'Is
there a rascal hanged in the piece?' says he. 'Oh, yes!' I let him fancy
there was, and he--ha! ha! old farmer's sticking to his seat, solemn as a
judge, waiting for the gallows to come on the stage."

A thought quickened Algernon's spirit. It was a notorious secret among
the young gentlemen who assisted in maintaining the prosperity of Boyne's
Bank, that the old porter--the "Old Ant," as he was called--possessed
money, and had no objection to put out small sums for a certain interest.
Algernon mentioned casually that he had left his purse at home; and "by
the way," said he, "have you got a few sovereigns in your pocket?"

"What! and come through that crush, sir?" Anthony negatived the question
decisively with a reference to his general knowingness.

Algernon pressed him; saying at last, "Well, have you got one?"

"I don't think I've been such a fool," said Anthony, feeling slowly about
his person, and muttering as to the changes that might possibly have been
produced in him by the Docks.

"Confound it, I haven't dined!" exclaimed Algernon, to hasten his
proceedings; but at this, Anthony eyed him queerly. "What have you been
about then, sir?"

"Don't you see I'm in evening dress? I had an appointment to dine with a
friend. He didn't keep it. I find I've left my purse in my other
clothes."

"That's a bad habit, sir," was Anthony's comment. "You don't care much
for your purse."

"Much for my purse, be hanged!" interjected Algernon.

"You'd have felt it, or you'd have heard it, if there 'd been any weight
in it," Anthony remarked.

"How can you hear paper?"

"Oh, paper's another thing. You keep paper in your mind, don't you--eh?
Forget pound notes? Leave pound notes in a purse? And you Sir William's
nephew, sir, who'd let you bank with him and put down everything in a
book, so that you couldn't forget, or if you did, he'd remember for you;
and you might change your clothes as often as not, and no fear of your
losing a penny."

Algernon shrugged disgustedly, and was giving the old man up as a bad
business, when Anthony altered his manner. "Oh! well, sir, I don't mind
letting you have what I've got. I'm out for fun. Bother affairs!"

The sum of twenty shillings was handed to Algernon, after he had
submitted to the indignity of going into a public-house, and writing his
I.O.U. for twenty-three to Anthony Hackbut, which included interest.
Algernon remonstrated against so needless a formality; but Anthony put
the startling supposition to him, that he might die that night. He signed
the document, and was soon feeding and drinking his wine. This being
accomplished, he took some hasty puffs of tobacco, and returned to the
theatre, in the hope that the dark girl Rhoda was to be seen there; for
now that he had dined, Anthony's communication with regard to the farmer
and his daughter became his uppermost thought, and a young man's
uppermost thought is usually the propelling engine to his actions.

By good chance, and the aid of a fee, he obtained a front seat,
commanding an excellent side-view of the pit, which sat wrapt in
contemplation of a Christmas scene snow, ice, bare twigs, a desolate
house, and a woman shivering--one of man's victims.

It is a good public, that of Britain, and will bear anything, so long as
villany is punished, of which there was ripe promise in the oracular
utterances of a rolling, stout, stage-sailor, whose nose, to say nothing
of his frankness on the subject, proclaimed him his own worst enemy, and
whose joke, by dint of repetition, had almost become the joke of the
audience too; for whenever he appeared, there was agitation in pit and
gallery, which subsided only on his jovial thundering of the familiar
sentence; whereupon laughter ensued, and a quieting hum of satisfaction.

It was a play that had been favoured with a great run. Critics had once
objected to it, that it was made to subsist on scenery, a song, and a
stupid piece of cockneyism pretending to be a jest, that was really no
more than a form of slapping the public on the back. But the public likes
to have its back slapped, and critics, frozen by the Medusa-head of
Success, were soon taught manners. The office of critic is now, in fact,
virtually extinct; the taste for tickling and slapping is universal and
imperative; classic appeals to the intellect, and passions not purely
domestic, have grown obsolete. There are captains of the legions, but no
critics. The mass is lord.

And behold our friend the sailor of the boards, whose walk is even as two
meeting billows, appears upon the lonely moor, and salts that uninhabited
region with nautical interjections. Loose are his hose in one part, tight
in another, and he smacks them. It is cold; so let that be his excuse for
showing the bottom of his bottle to the glittering spheres. He takes
perhaps a sturdier pull at the liquor than becomes a manifest instrument
of Providence, whose services may be immediately required; but he informs
us that his ship was never known not to right itself when called upon.

He is alone in the world, he tells us likewise. If his one friend, the
uplifted flask, is his enemy, why then he feels bound to treat his enemy
as his friend. This, with a pathetic allusion to his interior economy,
which was applauded, and the remark "Ain't that Christian?" which was
just a trifle risky; so he secured pit and gallery at a stroke by a
surpassingly shrewd blow at the bishops of our Church, who are, it can
barely be contested, in foul esteem with the multitude--none can say
exactly, for what reason--and must submit to be occasionally offered up
as propitiatory sacrifices.

This good sailor was not always alone in the world. A sweet girl, whom he
describes as reaching to his kneecap, and pathetically believes still to
be of the same height, once called him brother Jack. To hear that name
again from her lips, and a particular song!--he attempts it ludicrously,
yet touchingly withal.

Hark! Is it an echo from a spirit in the frigid air?

The song trembled with a silver ring to the remotest corners of the
house.

At that moment the breathless hush of the audience was flurried by
hearing "Dahlia" called from the pit.

Algernon had been spying among the close-packed faces for a sight of
Rhoda. Rhoda was now standing up amid gathering hisses and outcries. Her
eyes were bent on a particular box, across which a curtain was hastily
being drawn. "My sister!" she sent out a voice of anguish, and remained
with clasped hands and twisted eyebrows, looking toward that one spot, as
if she would have flown to it. She was wedged in the mass, and could not
move.

The exclamation heard had belonged to brother Jack, on the stage, whose
burst of fraternal surprise and rapture fell flat after it, to the
disgust of numbers keenly awakened for the sentiment of this scene.

Roaring accusations that she was drunk; that she had just escaped from
Bedlam for an evening; that she should be gagged and turned headlong out,
surrounded her; but she stood like a sculptured figure, vital in her eyes
alone. The farmer put his arm about his girl's waist. The instant,
however, that Anthony's head uprose on the other side of her, the evil
reputation he had been gaining for himself all through the evening
produced a general clamour, over which the gallery played, miauling, and
yelping like dogs that are never to be divorced from a noise. Algernon
feared mischief. He quitted his seat, and ran out into the lobby.

Half-a-dozen steps, and he came in contact with some one, and they were
mutually drenched with water by the shock. It was his cousin Edward,
bearing a glass in his hand.

Algernon's wrath at the sight of this offender was stimulated by the cold
bath; but Edward cut him short.

"Go in there;" he pointed to a box-door. "A lady has fainted. Hold her up
till I come."

No time was allowed for explanation. Algernon passed into the box, and
was alone with an inanimate shape in blue bournous. The uproar in the
theatre raged; the whole pit was on its legs and shouting. He lifted the
pallid head over one arm, miserably helpless and perplexed, but his
anxiety concerning Rhoda's personal safety in that sea of strife prompted
him to draw back the curtain a little, and he stood exposed. Rhoda
perceived him. She motioned with both her hands in dumb supplication. In
a moment the curtain closed between them. Edward's sharp white face
cursed him mutely for his folly, while he turned and put the water to
Dahlia's lips, and touched her forehead with it.

"What's the matter?" whispered Algernon.

"We must get her out as quick as we can. This is the way with women!
Come! she's recovering." Edward nursed her sternly as he spoke.

"If she doesn't, pretty soon, we shall have the pit in upon us," said
Algernon. "Is she that girl's sister?"

"Don't ask damned questions."

Dahlia opened her eyes, staring placidly.

"Now you can stand up, my dear. Dahlia! all's well. Try," said Edward.

She sighed, murmuring, "What is the time?" and again, "What noise is it?"

Edward coughed in a vexed attempt at tenderness, using all his force to
be gentle with her as he brought her to her feet. The task was difficult
amid the threatening storm in the theatre, and cries of "Show the young
woman her sister!" for Rhoda had won a party in the humane public.

"Dahlia, in God's name give me your help!" Edward called in her ear.

The fair girl's eyelids blinked wretchedly in protestation of her
weakness. She had no will either way, and suffered herself to be led out
of the box, supported by the two young men.

"Run for a cab," said Edward; and Algernon went ahead.

He had one waiting for them as they came out. They placed Dahlia on a
seat with care, and Edward, jumping in, drew an arm tightly about her. "I
can't cry," she moaned.

The cab was driving off as a crowd of people burst from the pit-doors,
and Algernon heard the voice of Farmer Fleming, very hoarse. He had
discretion enough to retire.

CHAPTER XIII

Robert was to drive to the station to meet Rhoda and her father returning
from London, on a specified day. He was eager to be asking cheerful
questions of Dahlia's health and happiness, so that he might dispel the
absurd general belief that he had ever loved the girl, and was now
regretting her absence; but one look at Rhoda's face when she stepped
from the railway carriage kept him from uttering a word on that subject,
and the farmer's heavier droop and acceptance of a helping hand into the
cart, were signs of bad import.

Mr. Fleming made no show of grief, like one who nursed it. He took it to
all appearance as patiently as an old worn horse would do, although such
an outward submissiveness will not always indicate a placid spirit in
men. He talked at stale intervals of the weather and the state of the
ground along the line of rail down home, and pointed in contempt or
approval to a field here and there; but it was as one who no longer had
any professional interest in the tilling of the land.

Doubtless he was trained to have no understanding of a good to be derived
by his communicating what he felt and getting sympathy. Once, when he was
uncertain, and a secret pride in Dahlia's beauty and accomplishments had
whispered to him that her flight was possibly the opening of her road to
a higher fortune, he made a noise for comfort, believing in his heart
that she was still to be forgiven. He knew better now. By holding his
peace he locked out the sense of shame which speech would have stirred
within him.

"Got on pretty smooth with old Mas' Gammon?" he expressed his hope; and
Robert said, "Capitally. We shall make something out of the old man yet,
never fear."

Master Gammon was condemned to serve at the ready-set tea-table as a butt
for banter; otherwise it was apprehended well that Mrs. Sumfit would have
scorched the ears of all present, save the happy veteran of the furrows,
with repetitions of Dahlia's name, and wailings about her darling, of
whom no one spoke. They suffered from her in spite of every precaution.

"Well, then, if I'm not to hear anything dooring meals--as if I'd swallow
it and take it into my stomach!--I'll wait again for what ye've got to
tell," she said, and finished her cup at a gulp, smoothing her apron.

The farmer then lifted his head.

"Mother, if you've done, you'll oblige me by going to bed," he said. "We
want the kitchen."

"A-bed?" cried Mrs. Sumfit, with instantly ruffled lap.

"Upstairs, mother; when you've done--not before."

"Then bad's the noos! Something have happened, William. You 'm not going
to push me out? And my place is by the tea-pot, which I cling to,
rememberin' how I seen her curly head grow by inches up above the table
and the cups. Mas' Gammon," she appealed to the sturdy feeder, "five cups
is your number?"

Her hope was reduced to the prolonging of the service of tea, with Master
Gammon's kind assistance.

"Four, marm," said her inveterate antagonist, as he finished that amount,
and consequently put the spoon in his cup.

Mrs. Sumfit rolled in her chair.

"O Lord, Mas' Gammon! Five, I say; and never a cup less so long as here
you've been."

"Four, marm. I don't know," said Master Gammon, with a slow nod of his
head, "that ever I took five cups of tea at a stretch. Not runnin'."

"I do know, Mas' Gammon. And ought to: for don't I pour out to ye? It's
five you take, and please, your cup, if you'll hand it over."

"Four's my number, marm," Master Gammon reiterated resolutely. He sat
like a rock.

"If they was dumplins," moaned Mrs. Sumfit, "not four, no, nor five, 'd
do till enough you'd had, and here we might stick to our chairs, but
you'd go on and on; you know you would."

"That's eatin', marm;" Master Gammon condescended to explain the nature
of his habits. "I'm reg'lar in my drinkin'."

Mrs. Sumfit smote her hands together. "O Lord, Mas' Gammon, the
wearisomest old man I ever come across is you. More tea's in the pot, and
it ain't watery, and you won't be comfortable. May you get forgiveness
from above! is all I say, and I say no more. Mr. Robert, perhaps you'll
be so good as let me help you, sir? It's good tea; and my Dody," she
added, cajolingly, "my home girl 'll tell us what she saw. I'm pinched
and starved to hear."

"By-and-by, mother," interposed the farmer; "tomorrow." He spoke gently,
but frowned.

Both Rhoda and Robert perceived that they were peculiarly implicated in
the business which was to be discussed without Mrs. Sumfit's assistance.
Her father's manner forbade Rhoda from making any proposal for the relief
of the forlorn old woman.

"And me not to hear to-night about your play-going!" sighed Mrs. Sumfit.
"Oh, it's hard on me. I do call it cruel. And how my sweet was
dressed--like as for a Ball."

She saw the farmer move his foot impatiently.

"Then, if nobody drinks this remaining cup, I will," she pursued.

No voice save her own was heard till the cup was emptied, upon which
Master Gammon, according to his wont, departed for bed to avoid the
seduction of suppers, which he shunned as apoplectic, and Mrs. Sumfit
prepared, in a desolate way, to wash the tea-things, but the farmer,
saying that it could be done in the morning, went to the door and opened
it for her.

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